PUBLICCURATING—METHODS RESOURCES THEORIES
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      PUBLICCURATING was a research-project run from November 2006 to November 2008 by the Vienna-based platform CONT3XT.NET. A collection of methods, resources, and theories concerning the curation of (New) Media, Internet-based, and Video Art.
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      PUBLICCURATING: 11/2006 – 11/2008
      Posted on October 29th by fratha
      PUBLICCURATING—METHODS RESOURCES THEORIES was a research-project by the Vienna-based organisation CONT3XT.NET collecting methods, resources, and theories concerning the curation of (New) Media and Internet-based Art. It is now closed to to the development of other projects, but, the resource will be kept online as an archive. If you want to send us feedback about our work please send an e-mail to cont3xt@cont3xt.net. CONT3XT.NET is a Vienna-based organisation founded in 2006 as a collaborative platform for the discussion and presentation of issues related to Media Art. Against the background of an interdisciplinary theoretical approach to all forms of communications technologies its mission is the critical investigation and documentation of actual tendencies in contemporary art production. The platform works both online and offline and offers regularly news and announcemnets as well as initiatives developed by its members in collaboration with artists, theorists, curators, writers and other Media Art affiliated people. The organisation was founded by Sabine Hochrieser, Michael Kargl (a.k.a. carlos katastrofsky) and Franz Thalmair.
    • Public Relations – Nicolas Bourriaud – Interview, by Bennet Simpson (2001) Public Relations - Nicolas Bourriaud - Interview By Bennet Simpson (2001) Fot evidence of art's recent love affair with "interactivity" and "connectivity," one need look no further ...
      [October 20th by fratha]
    • A Critique of Jonathan Zittrain, The Future of the Internet–and How to Stop It, by Geert Lovink A Critique of Jonathan Zittrain The Future of the Internet–and How to Stop It, Yale University Press, 2008 by Geert Lovink Jonathan Zittrain’s Future of the Internet is ...
      [October 18th by fratha]
    • Collecting the virtual: acquiring digital media, by Beth Jackson (2001) Collecting the virtual: acquiring digital media By Beth Jackson National Conference about Culture, New Media and eBusiness Melbourne (2001) In order to arrive at processes for acquiring digital ...
      [October 12th by fratha]
    • Curator as filter/User as Curator, by Thomas Thiel Curator as filter/User as Curator Thomas Thiel Video Vortext Reader, Responses to YouTube Astonishingly enough, access to the art form that has its seeds in its reproducibility, ...
      [October 11th by fratha]
    • Video Vortex Reader (download) The Video Vortex Reader (PDF) is the first collection of critical texts to deal with the rapidly emerging world of online video – from its ...
      [October 11th by fratha]
    • Networked: a (networked_book) about (networked_art) Call for Proposals: Networked: a (networked_book) about (networked_art) A Juried International Competition Deadline: December 15, 2008 Five writers will be commissioned to develop chapters for a networked book ...
      [October 7th by fratha]
    • Curators in Context Curators in Context Speaking through Silence (.pdf) Visual Art Curators in Context, curatorial mentoring roundtables in Banff (July 15-17, 2005) and Toronto (December 1-4, 2005), explored contemporary ...
      [October 6th by fratha]
    • Art After Philosophy (1969), by Joseph Kosuth Art After Philosophy (1969) By Joseph Kosuth The fact that it has recently become fashionable for physicists themselves to be sympathetic toward religion . . . marks ...
      [October 6th by fratha]
    • What do curators want? Podcast Series What Do Curators Want? A free, 10-part podcast series addressing best professional practices for contemporary visual artists. Founded in 1992 by Karen Atkinson and Joe Luttrell, ...
      [October 6th by fratha]
    • Digital Archiving as an Art Practice, by Dew Harrison (2005) Digital Archiving as an Art Practice By Dew Harrison (2005) Gray’s School of Art, Robert Gordon University, Aberdeen, Scotland The idea of archiving as a form of practice ...
      [October 5th by fratha]
    • Bibliography in Art, Science, and Technolgy – By Stephen Wilson Bibliography in Art, Science, and Technolgy Compiled by Stephen Wilson, Professor, CIA Program , Art Dept, San Francisco State University - Note these links are part ...
      [October 5th by fratha]
    • Media_city Seoul: what is media art today?, by Régine Debatty Media_city Seoul: what is media art today? By Régine Debatty We Make Money Not Art A follow-up on media_city Seoul, a media art biennale hosted until November 5, ...
      [October 5th by fratha]
    • The fine line between curating and promoting, by Sany Nairne The fine line between curating and promoting By Sany Nairne The Artnewspaper The excellent Richard Prince exhibition at the Serpentine Gallery which closed earlier this month raises important ...
      [October 5th by fratha]
    • For an Engaged Knowledge [ Pour un savoir engage ], by Pierre Bourdieu For an Engaged Knowledge [ Pour un savoir engage ] By Pierre Bourdieu Translation © Nick Couldry 2002 Original French text © Pierre Bourdieu and Le Monde ...
      [September 26th by fratha]
    • Job: CURATOR OPPORTUNITY WITH EXPERIMENTA Experimenta is a dynamic organisation that exhibits, commissions and promotes excellent media art. It produces biennial exhibitions, national and international tours and commissions artworks for ...
      [September 26th by fratha]
    • The Artist as Producer in Times of Crisis, by Okwui Enwezor The Artist as Producer in Times of Crisis Okwui Enwezor On April 27, 1934 Walter Benjamin delivered a lecture at the Institute for the Study of Fascism ...
      [September 26th by fratha]
    • Network Art and Virtual Communities, by Derrick de Kerckhove (1995) Network Art and Virtual Communities, by Derrick de Kerckhove (this paper was originally written for Art Futura 1995) The rapid development of art on the Net is ...
      [September 26th by fratha]
    • Re:live – Third International Conference on the Histories of Media Art, Science and Technology Re:live - Third International Conference on the Histories of Media Art, Science and Technology November 26-29, 2009 Melbourne, Australia Call For Papers – Deadline: December 19, 2008 The next ...
      [September 26th by fratha]
    • The International Journal of Digital Curation, Issue 1, Volume 3 | 2008 The International Journal of Digital Curation Issue 1, Volume 3 | 2008 Editorial, by Chris Rusbridge, Digital Curation Centre July 2008 The 3rd International Conference ...
      [September 26th by fratha]
    • International symposium: (New)Media Art in Museums International symposium: (New)Media Art in Museums: production - keeping - presentation City Hall, City Government edifice, Korzo 16, Rijeka, Croatia Organized by Museum of Modern and Contemporary ...
      [September 23rd by fratha]
    • Intertextuality Revisited: Dialogues and Negotiations in Media Studies, by Gunhild Agger Intertextuality Revisited: Dialogues and Negotiations in Media Studies By Gunhild Agger, Aalborg University When researchers wish to call attention to questions of intertextuality in contemporary media studies, ...
      [September 23rd by fratha]
    • Wikipedia: New media art preservation, a form of Art conservation New media art preservation, a form of Art conservation, is the study and practice of techniques for sustaining artworks created using digital, biological, performative, and ...
      [September 23rd by fratha]
    • Abstract Cinema, by Bruno Corra (1912) Abstract Cinema By Bruno Corra (1912) It could be said that the only display of the art of colors currently in use is the painting. A painting ...
      [September 23rd by fratha]
    • The End of Theory: The Data Deluge Makes the Scientific Method Obsolete, by Chris Anderson The End of Theory: The Data Deluge Makes the Scientific Method Obsolete By Chris Anderson, WIRED "All models are wrong, but some are useful." So proclaimed statistician George ...
      [September 23rd by fratha]
    • Situational Aesthetics (1969), by Victor Burgin Situational Aesthetics (1969) By Victor Burgin (*) Some recent art, evolving through attention both to the conditions under which objects are perceived and to the processes by ...
      [September 23rd by fratha]
    • Stan VanDerBeek: 1927-1984 VanDerBeek studied art and architecture first at Cooper Union College in New York and then at Black Mountain College in North Carolina, where he met ...
      [September 23rd by fratha]
    • Lillian F. Schwartz: Early Computer Artist Lillian Schwartz is best known for her pioneering work in the use of computers for what has since become known as computer-generated art and computer-aided ...
      [September 23rd by fratha]
    • CUREDITING – TRANSLATIONAL ONLINE WORK CUREDITING - TRANSLATIONAL ONLINE WORK A CURATORIAL/EDITORIAL PROJECT BY CONT3XT.NET IN COLLABORATION WITH VAGUE TERRAIN CUREDITING is a curatorial/editorial project which starts from Walter Benjamin's point ...
      [September 15th by fratha]
    • Working Together, by Trebor Scholz Working Together, by Trebor Scholz Networks, Art, & Collaboration - a conference that took place at SUNY Buffalo, April 24-25, 2004. Do we feel threatened in the ...
      [June 18th by fratha]
    • Bringing the Curatorial Process to the Web, by Carrie Adams, Traci Cole, Christina DePaolo, Susan Edwards (2001) Bringing the Curatorial Process to the Web Carrie Adams, Traci Cole, Christina DePaolo, Susan Edwards, Seattle Art Museum, USA Museums and the Web Conference 2001 Abstract The Seattle Art ...
      [June 18th by fratha]
    • ON CURATING—A new web-based publication focusing on curatorial practice and theory, by Dorothee Richter ON CURATING—A new web-based publication focusing on curatorial practice and theory Publisher: Dorothee Richter The interest of all those involved in the journal, whether curators, lecturers, researchers ...
      [June 6th by fratha]
    • MediaArtHistories—A blog dedicated to discussing the study of Media Art Histories MediaArtHistories is a blog dedicated to the following ideas, contents and instruments: URL: http://mediaarthistories.blogspot.com FEED: http://mediaarthistories.blogspot.com/feeds/posts/default ideas: - continued work, work in progress, school magazine that develops, "lehrbuch", ...
      [June 6th by fratha]
    • Lecture: “Why Have There Been No Great Net Art Histories?”, by Charlotte Frost Lecture by Charlotte Frost (London) Why Have There Been No Great Net Art Histories? Ludwig Boltzmann Institut Medien.Kunst.Forschung. (Linz) Thursday, 12 June 2008, 7 pm Café Dokapi,Kunstuniversität Linz, Kollegiumgasse ...
      [June 3rd by fratha]
    • Toward a Critical Art Theory, by Gene Ray Toward a Critical Art Theory by Gene Ray at eipcp - european institute for progressive cultural policies Critical theory rejects the given world and looks beyond it. ...
      [June 3rd by fratha]
    • Changing histories, changing practices. An instance of confrontation between video art and television, by Marina Turco Changing histories, changing practices. An instance of confrontation between video art and television by Marina Turco at http://comcom.uvt.nl/e-view/04-2/inhoud.htm Was video the end of all arts? Was it ...
      [June 3rd by fratha]
    • Friday June 6th: Net Aesthetics 2.0 The upcoming program in Rhizome's New Silent Series at the New Museum, Net Aesthetics 2.0, will examine the state of contemporary art engaged with internet ...
      [June 3rd by fratha]
    • The Tech Virtual’s First Exhibition opens June 4! The exhibition curated by Nina Simon for The Tech Museum of Innovation opens and hosts a summit on June 4 (in real life and in ...
      [June 3rd by fratha]
    • Collaborative Curation, Autonomous Identities, and the Differences between European and American Approaches to the Showing of New Media Works Interview with Christiane Paul, Feb 12 2002 SWITCH's Sheila Malone talks to the Whitney's Christiane Paul about collaborative curation, autonomous identities, and the differences between European ...
      [May 28th by fratha]
    • steve.museum announces facebook application: tag art in your profile steve.museum has released enhancements to the steve tagger. you can now: * share images and tags * invite others to participate, and * display your tagged works on ...
      [May 28th by fratha]
    • How are we able to politicize exhibition practice?, by Dmitry Vilensky How are we able to politicize exhibition practice? by Dmitry Vilensky The experiences accumulated in many recent exhibition projects that claim their relation to politics already allow ...
      [May 26th by fratha]
    • PARASITIC MEDIA: Invisibility & other forms of Tactical Augmentation, by Nathan Martin PARASITIC MEDIA: Invisibility & other forms of Tactical Augmentation by Nathan Martin for the Carbon Defense League A parasite is defined as "an organism that grows, feeds, ...
      [May 26th by fratha]
    • ONLINE EXHIBITION: 0508 : Collective NetArt + NetVideo ONLINE EXHIBITION: 0508 : Collective NetArt + NetVideo May 2008 / San Juan, PR - An art exhibition pilot will begin this coming Thursday, 29 May ...
      [May 26th by fratha]
    • Pixels at an Exhibition, by Virgina Heffernan (New York Times) Pixels at an Exhibition, by Virgina Heffernan (New York Times) What do video artists make of YouTube? Every minute, 10 hours of video are uploaded to ...
      [May 26th by fratha]
    • Open Source Embroidery: Craft and Code at HTTP Gallery Open Source Embroidery: Craft and Code at HTTP Gallery An exhibition facilitated by Ele Carpenter Preview Friday 16th May 6-9pm 17th May – 15th June 2008 Open Fridays to ...
      [May 26th by fratha]
    • HACK.Fem.EAST / Women, Technology and Networks in Eastern Europe HACK.Fem.EAST / Women, Technology and Networks in Eastern Europe Exhibition, performances, meetings 10 May - 22 June 2008 Kunstraum Kreuzberg / Bethanien Berlin, Germany Opening: 9 May, from 19.00 A ...
      [May 26th by fratha]
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