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      PUBLICCURATING is an ongoing research-project by the Vienna-based platform CONT3XT.NET collecting methods, resources, and theories concerning the curation of (New) Media, Internet-based, and Video Art.
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      Summer Break
      Posted on June 18th by fratha
      During the past 18 months we managed to collect a lot of information concerning the curation of (New) Media and Internet-based Art. Now, we need a break to enjoy summer. We will be back in some weeks ... In the meantime please browse our archives! To contact us please write an e-mail to cont3xt@cont3xt.net: feedback and collaboration is always welcome! Have some nice summer weeks - Sabine, Carlos, Franz
    • Working Together, by Trebor Scholz Working Together, by Trebor Scholz Networks, Art, & Collaboration - a conference that took place at SUNY Buffalo, April 24-25, 2004. Do we feel threatened in the ...
      [June 18th by fratha]
    • Bringing the Curatorial Process to the Web, by Carrie Adams, Traci Cole, Christina DePaolo, Susan Edwards (2001) Bringing the Curatorial Process to the Web Carrie Adams, Traci Cole, Christina DePaolo, Susan Edwards, Seattle Art Museum, USA Museums and the Web Conference 2001 Abstract The Seattle Art ...
      [June 18th by fratha]
    • ON CURATING—A new web-based publication focusing on curatorial practice and theory, by Dorothee Richter ON CURATING—A new web-based publication focusing on curatorial practice and theory Publisher: Dorothee Richter The interest of all those involved in the journal, whether curators, lecturers, researchers ...
      [June 6th by fratha]
    • MediaArtHistories—A blog dedicated to discussing the study of Media Art Histories MediaArtHistories is a blog dedicated to the following ideas, contents and instruments: URL: http://mediaarthistories.blogspot.com FEED: http://mediaarthistories.blogspot.com/feeds/posts/default ideas: - continued work, work in progress, school magazine that develops, "lehrbuch", ...
      [June 6th by fratha]
    • Lecture: “Why Have There Been No Great Net Art Histories?”, by Charlotte Frost Lecture by Charlotte Frost (London) Why Have There Been No Great Net Art Histories? Ludwig Boltzmann Institut Medien.Kunst.Forschung. (Linz) Thursday, 12 June 2008, 7 pm Café Dokapi,Kunstuniversität Linz, Kollegiumgasse ...
      [June 3rd by fratha]
    • Toward a Critical Art Theory, by Gene Ray Toward a Critical Art Theory by Gene Ray at eipcp - european institute for progressive cultural policies Critical theory rejects the given world and looks beyond it. ...
      [June 3rd by fratha]
    • Changing histories, changing practices. An instance of confrontation between video art and television, by Marina Turco Changing histories, changing practices. An instance of confrontation between video art and television by Marina Turco at http://comcom.uvt.nl/e-view/04-2/inhoud.htm Was video the end of all arts? Was it ...
      [June 3rd by fratha]
    • Friday June 6th: Net Aesthetics 2.0 The upcoming program in Rhizome's New Silent Series at the New Museum, Net Aesthetics 2.0, will examine the state of contemporary art engaged with internet ...
      [June 3rd by fratha]
    • The Tech Virtual’s First Exhibition opens June 4! The exhibition curated by Nina Simon for The Tech Museum of Innovation opens and hosts a summit on June 4 (in real life and in ...
      [June 3rd by fratha]
    • Collaborative Curation, Autonomous Identities, and the Differences between European and American Approaches to the Showing of New Media Works Interview with Christiane Paul, Feb 12 2002 SWITCH's Sheila Malone talks to the Whitney's Christiane Paul about collaborative curation, autonomous identities, and the differences between European ...
      [May 28th by fratha]
    • steve.museum announces facebook application: tag art in your profile steve.museum has released enhancements to the steve tagger. you can now: * share images and tags * invite others to participate, and * display your tagged works on ...
      [May 28th by fratha]
    • How are we able to politicize exhibition practice?, by Dmitry Vilensky How are we able to politicize exhibition practice? by Dmitry Vilensky The experiences accumulated in many recent exhibition projects that claim their relation to politics already allow ...
      [May 26th by fratha]
    • PARASITIC MEDIA: Invisibility & other forms of Tactical Augmentation, by Nathan Martin PARASITIC MEDIA: Invisibility & other forms of Tactical Augmentation by Nathan Martin for the Carbon Defense League A parasite is defined as "an organism that grows, feeds, ...
      [May 26th by fratha]
    • ONLINE EXHIBITION: 0508 : Collective NetArt + NetVideo ONLINE EXHIBITION: 0508 : Collective NetArt + NetVideo May 2008 / San Juan, PR - An art exhibition pilot will begin this coming Thursday, 29 May ...
      [May 26th by fratha]
    • Pixels at an Exhibition, by Virgina Heffernan (New York Times) Pixels at an Exhibition, by Virgina Heffernan (New York Times) What do video artists make of YouTube? Every minute, 10 hours of video are uploaded to ...
      [May 26th by fratha]
    • Open Source Embroidery: Craft and Code at HTTP Gallery Open Source Embroidery: Craft and Code at HTTP Gallery An exhibition facilitated by Ele Carpenter Preview Friday 16th May 6-9pm 17th May – 15th June 2008 Open Fridays to ...
      [May 26th by fratha]
    • HACK.Fem.EAST / Women, Technology and Networks in Eastern Europe HACK.Fem.EAST / Women, Technology and Networks in Eastern Europe Exhibition, performances, meetings 10 May - 22 June 2008 Kunstraum Kreuzberg / Bethanien Berlin, Germany Opening: 9 May, from 19.00 A ...
      [May 26th by fratha]
    • Exhibition: YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME. / 16 May - 22 June 2008 YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME. Opening: 15 May 2008, 8 pm Duration: 16 May - 22 June 2008 Host: Mala galerija - Moderna galerija ...
      [May 13th by fratha]
    • Museums and the Web 2008: “The API As Curator”, by Aaron Straup Cope The API As Curator by Aaron Straup Cope, Flickr, USA Artists and master-printers have a long and rich tradition of collaboration and it is instructive to consider ...
      [May 11th by fratha]
    • Art & Society: Institutional critic and net art, by Kwok kayuen Art & Society: Institutional critic and net art - Internet and Its Criticism by Kwok kayuen In this essay, I will use two approaches to discuss how ...
      [May 11th by fratha]
    • “New media - New Networks” / Galerija Galzenica: New Media art and Culture in Croatia The exhibition entitled New media - New Networks is the first retrospective dedicated to the new media art and culture in Croatia. The exhibition is ...
      [May 11th by fratha]
    • Call for Online Curatorial Projects: ‘After The Net’ / Deadline: 18 May 2008 Call for Online Curatorial Projects: 'After The Net' Observatori: 9th Festival Internacional de Investigación Artística de Valencia 6 – 29 June 2008, Valencia, Spain Deadline for submission: 18 ...
      [May 9th by fratha]
    • Call for Artist in Residence Programme 2008 at LABoral Centro de Arte y Creacion Industrial / Deadline: 30th May 2008 LABoral Centro de Arte y Creacion Industrial is calling for proposals from artists to develop a research and production project at LABoral for two months ...
      [May 9th by fratha]
    • Second (Life) International Museum Day Around the World: May 18, 2008 The Tech Museum of Innovation announced today that it is partnering with the International Council of Museums (ICOM) to host the 31st annual International Museum ...
      [May 2nd by fratha]
    • Call for Collaboration: Is there such thing as a new media art market? Is there such thing as a new media art market? a mínima magazine invites you to collaborate in its study about the new media art market. It ...
      [May 1st by fratha]
    • In conversation: Nicolas Bourriaud and Karen Moss, by Stretcher Nicolas Bourriaud and Karen Moss Interviewed by Stretcher French theorist Nicholas Bourriaud, a curator at the Palais de Tokyo in Paris, and curator Karen Moss, Director of ...
      [May 1st by fratha]
    • Tenderpixel: Gallery (for New Media, Video, etc.) Tenderpixel is an innovative contemporary art gallery situated just off St Martin's Lane in the heart of Soho. The gallery's focus remains grounded in contemporaneous ...
      [May 1st by fratha]
    • PARASITIC MEDIA: Invisibility & other forms of Tactical Augmentation, by Nathan Martin PARASITIC MEDIA: Invisibility & other forms of Tactical Augmentation by Nathan Martin for the Carbon Defense League A parasite is defined as "an organism that grows, feeds, ...
      [May 1st by fratha]
    • LOOP’08 Festival & Fair for Video Art / Barcelona, 09.05 & 10.05 LOOP Fair is an unmissable meeting point for professionals and anyone who is interested in videoart. It brings together gallery owners, collectors, critics, museum directors ...
      [May 1st by fratha]
    • First International Master of MediaArtHistories FIRST INTERNATIONAL MASTER OF MEDIA.ART.HISTORIES (Low residency; English language, open for applications now) The postgraduate program MediaArtHistories at the Department for Image Science offers a two-year low ...
      [May 1st by fratha]
    • From Fluxus to Media Art, by Amy Taubin (Maya Stendhal Gallery) From Fluxus to Media Art by Amy Taubin Maya Stendhal Gallery March 6 - April 26, 2008 “Warhol and George, Warhol and Fluxus. Somewhere there, very deep, they ...
      [April 28th by fratha]
    • Holy Fire and the rise of New Media Gallery Art., by Patrick Lichty (2008) Holy Fire and the rise of New Media Gallery Art. Patrick Lichty "The joy of the Postmodern, and as we go into the next period at the ...
      [April 28th by fratha]
    • New Media, Art and Science: Explorations beyond the Official Discourse, by Geert Lovink (2005) New Media, Art and Science: Explorations beyond the Official Discourse By Geert Lovink [This essay was first published in Scott McQuire/Nikos Papastergiadis (ed.), Empires, Ruins + Networks, ...
      [April 28th by fratha]
    • Pixel Pops! V.4 2008 Curator Search Pixel Pops! is looking for suitable candidates to serve as curator for the 2008 PixelPops! show. The show should take place sometime after August 2008 ...
      [April 28th by fratha]
    • Curation, by ®TMark (1998) [Artists seem to understand ®TMark's aims and methods more easily than others. In order to appeal to this pioneering, communicative and sometimes pivotal audience, ...
      [April 20th by fratha]
    • Marisa Olson, interviewed by Régine Debatty Interview with Marisa Olson published by Régine Debatty at we-make-money-not-art Before meeting her, i had always imagined Marisa Olson to be an hyperactive blond girl running ...
      [April 20th by fratha]
    • The Distributed Exhibition, by Sarah Thatcher The Distributed Exhibition arose from a desire to mount an exhibition of works requiring a more personal viewing experience, one that requires a one-to-one interaction. ...
      [April 20th by fratha]
    • Mail Art and Networking Magazines (1970-1980) by Stephen Perkins Mail Art and Networking Magazines (1970-1980) by Stephen Perkins publsihed at http://www.zinebook.com About the only aspect of mail art that one can state with any degree of ...
      [April 20th by fratha]
    • Seth Siegelaub and Hans Ulrich Obrist in conversation A conversation between Seth Siegelaub and Hans Ulrich Obrist Published In TRANS> #6, 1999 / copyright TRANS> arts.cultures.media, Pages # 51 - 63 HANS ULRICH OBRIST: My first ...
      [April 20th by fratha]
    • _Augmentology 1[L]0[L]1_ by mez @ Ars Virtua Ars Virtua (*) is pleased to announce _Augmentology 1[L]0[L]1_ by Mary-Anne (Mez) Breeze. Mez has initiated this work as part of her ongoing interrogation of ...
      [April 20th by fratha]
    • Curating Opportunity: Democracy - City Without Walls (cWOW) Democracy: Call for Curator(s) and Artists Deadline: May 30, 2008. City Without Walls (cWOW) seeks a curator (or co-curators) for an upcoming group exhibition dealing with issues ...
      [April 8th by fratha]
    • Opportunity: European Course for Contemporary Art Curators (Milan) The Province of Milan, the Fondazione Antonio Ratti, and the Delegation of the European Commission in Milan promote the second edition of the European Course ...
      [April 8th by fratha]
    • Axis: online forum on Digital Art and Curating (8 - 21 April 2008) Axis is an online resource for information about contemporary art. The website features profiles of professional artists and curators, interviews, discussions, art news, debates and ...
      [April 8th by fratha]
    • Great: Launch of new Daniel Langlois Foundation Web site We invite you to discover the new Web site of the Daniel Langlois Foundation. The new user interface has been designed to promote the discovery ...
      [April 3rd by fratha]
    • Holy Fire and New Media in Collections, by Patrick Lichty Holy Fire and New Media in Collections by Patrick Lichty @ Furtherfield.org New Media was a genre based on a community in the 90's. In the 2000's, it ...
      [April 3rd by fratha]
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